Feng Yan

The Order
When taking pictures, people normally take granted to choose things that make sense. Very much like for each traveling sight, there is always one best angel of spot for most travelers to take souvenir pictures. In this sense, classic became a passive term. Daily details that related to our subtle perceptions have long being treated as irrelevances. Trained as a
cinema photographer, Feng Yan’s narration through photography is a unique combination of ongoing time and the nature of those long being ignored “daily irrelevances.” “Commonly seen things started truly come into view,” as the artist himself described, “there are some magic moments that things would unveil the orders of their existences to me. ”
—Feng Yan

163.9x110cm, 2005

61x42cm, 2005

30cm×40cm, 2005

42cm×61cm, 2005

61cm×42cm, 2005

35cm×51cm, 2005

100x68 cm, 2005

68x100 cm, 2005

100cm×68cm, 2005

34.85x58cm, 2005

50.8x34.85cm, 2005

61x42cm, 2005

42x61cm, 2005

50.8x34.85cm, 2005

68cm×100cm, 2005

35cm×51cm, 2005

50.8x34.85cm, 2005

50.8x34.85cm, 2005

61cm×42cm, 2005

35cm×51cm, 2005

42cm×61cm, 2005

100x68cm, 2005

61x42cm, 2005

100cm×68cm, 2005

100x68cm, 2005

61x42cm, 2005

100x68cm, 2005

30x40cm, 2005

51x35cm, 2005

35x51cm, 2005

35x51cm, 2005

35cm×51cm, 2005

51cm×35cm, 2005

42x61cm, 2005

35cm×51cm, 2005

35x51cm, 2005

35x51cm, 2005

35cm×51cm, 2005

35cm×51cm, 2005

42x61cm, 2005

61cm×42cm, 2005

35x51cm, 2005

100x68cm, 2005

75x100cm, 2012

100x75cm, 2012

100x75cm, 2012

100x75cm, 2012

100x75cm, 2012